Showing posts with label Improving Your Doll Photography. Show all posts
Showing posts with label Improving Your Doll Photography. Show all posts

Thursday, December 24, 2015

Improving Your Doll Photography: Simple Method of Reflecting Light Onto Your Doll

We posted these pics yesterday on Instagram, so if you follow us there - 
you probably don't need to pay attention to this, haha.

But we wanted to show you what using a simple piece of white paper 
can do when photographing your dolls.

Yes, you can buy a reflector, or you can get a big white poster board thingy.

But let's say you don't have those things with you.
So look for - a piece of white paper! Woo!
And someone to hold it for you....


So we decided to bring Zoya with us on our holiday voyage.

Zoya ^^^ in a Caroline wig (she is an Ivy doll)


We took Zoya outside.

In a Truly Me #28 wig.
Kit's hat.
Cat ears from Seasoflavender's Etsy.
Cardigan by Clarisse's Closet.
Dress by Sylvie and Bruno.

But her face didn't have a lot of light on it.

And it just wasn't a sunny day, not even sunny with some clouds day.
Just cloudy and dull.
Sometimes cloudy is good.
But cloudy and dark is just not helpful.


So we employed/enslaved a family member 
to hold a piece of white paper under her face.


And you can see the difference in the lighting. ^^^


We had the hand move the paper around, different angles.

Some angles are better than others.
So make sure you experiment.


You can get these little shadows above the eyelashes --
but overall, we liked it better with the paper.

It gave us those catch lights in her eyes 
that we talked about in Monday's blog post.



And then we moved her over to another side 
of the porch for a different background.


Still using the piece of paper.


Still forcing a family member to help us. ;-)

So grab a piece of white paper and a family member 
this holiday season when photographing your dolls!!!

Merry Christmas Eve, friends!

And thank you for visiting us today!!!

Monday, December 21, 2015

Improving Your Doll Photography:
Catchlight and a Light Box

I'm not really sure what kind of post this is.
An Honest Editorial?
A new series?
A one-off thing?

Who knows...
But you guys can let us know if you want us to turn this type of thing into a series. ;-)

First thing -- we are NOT professional photographers.
We are not even unprofessional photographers.

We are the amateur of the amateurs of the amateurs.

But we have spent a good deal of our life 
looking at art and art photographs 
(for reasons which we would get into but then 
you'd know for sure that we should be institutionalized).

SO...

We know what good photography should look like.

Whether or not we can produce it ourselves is an entirely different matter.
Derp.

But we wanted to at least try to help y'alls out with our tiny bit of knowledge.

Which brings us to catchlight.

See this post:
...for help with studio lighting (i.e. indoor photography with professional lighting).

And in that post you'll read this about catchlight:

"The Eyes Have It


Where do your eyes end up on this model? On her eyes. 
And what helps draw you there? 
The lovely white glint in her eyes. This is called a catchlight.

A catchlight is a white spot in a person’s eyes and is key to make the person look alive.

“Catchlight: Light that reflects in a subject’s eyes and adds life to the portrait. Either a flash or reflector panel is used to create catchlight.”

The easiest catchlight is made by turning on your camera’s flash, 
using it as a 'fill-flash' and getting a reflection off the eye."

From wikipedia:

"Audiences usually perceive eyes without specular highlights to be lifeless or evil, and for this reason many cinematographers specifically eliminate catch lights on antagonistic characters."

Read that ^^^ again.

___________

There doesn't seem to be an online consensus as to 
whether I should be calling it "catchlight" or "catchlights."

Like the effect is just catchlight.

Or the eye lights are called catchlights.

We're just going to go with it as "catchlight" - a lighting effect.

Haha. Derp again.

We do post doll pics without catchlight -- 
but we try to make the majority of our pics have it.

It makes the doll look alive, vibrant.


And once you notice it, you'll be able to tell 
that it really does help improve a photograph.

Can you imagine Vermeer's "Girl With a Pearl Earring" 
without catchlight?



Those tiny white dots make a huge difference.

For Vermeer's work they are the 
difference between a live, breathing subject and just a lifeless painting of a girl.

For your doll photography, they don't have to be white dots, of course.

Just brighter glints in the eyes.

And both eyes.
Just one eye won't do the job.

Blogger won't really post my high-quality pics,
so visit our Instagram:
...to see what we are talking about.

Look at our pics and look for the catchlight.

Look at your own pics.
Look for the catchlight.

This is a fun game, isn't it?

Haha. ;-)

Lately we have been working with a light box, experimenting really...
...as you can see in these blurry pics:

(Thanks, Blogger for the blur)




It's our attempt at indoor studio photography.

Again, we aren't pros.

But we are trying, haha.

And we know a lot of people -- 
-- especially sellers and sewers/sewists --
-- use indoor photography.

So we wanted to get the box and take it for a spin.

Or 5,000 spins.

This is similar to the kit we bought:


It is a 30" cube thingy.

Big enough for the dolls. 
You can probably fit about 3 dolls in there as a group shot.

Our biggest problem is getting them to remain standing, haha.

So putting more than one in there at a time is risky. ;-)

But anyways -- a lot of our recent pics have been in this box 
and we have been pretty successful at getting catchlight -- without flash.

Again, see:
...for examples.

So if you want to get that catchlight inside without flash, we recommend the box.

Just surround it with lights.

The box fabric will diffuse those lights.

And have the doll face whichever side of the box is brightest.

In our case, it's the side next to the open window.

And then that catchlight will appear.

If it doesn't -- keep adjusting the position of your doll, 
and your camera until you find it!


This side of the box ^^^ above allows us to get 100% light diffusion 
and we just poke our camera lens through the slot.

100% light diffusion means an all-over light that removes background shadows, 
and lights the doll's face enough to get that catchlight.

And remember -- you want glints in both eyes!!!

The Eyes Have It!!

Again, we aren't pros -- but we wanted to give y'alls a head's up 
about catchlight and how important it can be!!!

And now you know what those glinty eyeball things are called!!

So feel free to do more advanced research about how to get them. :-)

Thanks for visiting us today!!!



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